New Books at Daley: Native American Heritage Month

This pathbreaking book documents the transformation of reproductive practices and politics on Indian reservations from the late nineteenth century to the present, integrating a localized history of childbearing, motherhood, and activism on the Crow Reservation in Montana with an analysis of trends affecting Indigenous women more broadly.

Drawing from tribal and state archives, libraries, museums, and individual collections, Through a Native Lens features photographs--including some never before published--that range from formal portraits to casual snapshots. The images represent multiple tribal communities across Native North America, including the Inland Tlingit, Northern Paiute, and Kiowa.

This book amplifies the distinct, intersecting, and coalitional possibilities of education in the spaces of ongoing movements for Native and Black liberation. Contributors highlight the importance of activist-oriented teaching and learning in community encampments and other movement spaces for the preservation and expansion of resistance education.

Imagine an America very similar to our own. It's got homework, best friends, and pistachio ice cream. There are some differences. This America been shaped dramatically by the magic, monsters, knowledge, and legends of its peoples, those Indigenous and those not. Some of these forces are charmingly everyday, like the ability to make an orb of light appear or travel across the world through rings of fungi. But other forces are less charming and should never see the light of day. Elatsoe lives in this slightly stranger America. She can raise the ghosts of dead animals, a skill passed down through generations of her Lipan Apache family. Her beloved cousin has just been murdered, in a town that wants no prying eyes. But she is going to do more than pry. The picture-perfect facade of Willowbee masks gruesome secrets, and she will rely on her wits, skills, and friends to tear off the mask and protect her family. Darcie Little Badger is an extraordinary debut talent in the world of speculative fiction.

Among the Diné/Navajo, a ceremony is held in honor of a baby's first laugh. While the context is different, it nonetheless reminds us that laughter is precious, even sacred. Bury My Heart at Chuck E. Cheese's is a powerful and compelling collection of Tiffany Midge's musings on life, politics, and identity as a Native woman in America.

Indigenous Peoples around the world and our allies often reflect on the many challenges that continue to confront us, the reasons behind health, economic, and social disparities, and the best ways forward to a healthy future.

Analyzes paradigmatic works of contemporary Native American/First Nations literary fiction using the tools of narrative theory. Each chapter is read through the lens of a narrative theory - structuralist narratology, feminist narratology, rhetorical narratology, and unnatural narratology - in order to demonstrate how the formal structure of these narratives engage the political issues raised in the text.

By 2009, reverberations of economic crisis spread from the United States around the globe. As corporations across the United States folded, however, small businesses on the Qualla Boundary of the Eastern Band of Cherokee Indians (EBCI) continued to thrive. In this rich ethnographic study, Courtney Lewis reveals the critical roles small businesses such as these play for Indigenous nations.

Just as a basket's purpose determines its materials, weave, and shape, so too is the purpose of the essay related to its material, weave, and shape. Editors Elissa Washuta and Theresa Warburton ground this anthology of essays by Native writers in the formal art of basket weaving. Using weaving techniques such as coiling and plaiting as organizing themes, the editors have curated an exciting collection of imaginative, world-making lyric essays by twenty-seven contemporary Native writers from tribal nations across Turtle Island into a well-crafted basket.

Comprised of 159 extraordinary platinum plates, Frances Benjamin Johnston's Hampton Album documents life at the Hampton Institute marking a pivotal moment in this historically black university's history . Frances Benjamin Johnston (American, 1864-1952), one of the first women in America to work as a professional photographer, was commissioned in 1899 to photograph the Hampton Institute, then a thirty year old institution dedicated to the practical and academic education of freed slaves and Native Americans.

This eagerly anticipated follow-up to the breakout memoir How to Be an Indian in the 21st Century delves more deeply into the themes of family, community, grief, and the struggle to make a place in the world when your very identity is considered suspect.

Itee Pootoogook belonged to a new generation of Inuit artists who are transforming and reshaping the creative traditions that were successfully pioneered by their parents and grandparents in the second half of the 20th century.

Though mystery, crime, and detective fiction are some of the most popular genres in the world, little scholarship currently exists regarding Native American writers and how they add new dimensions to this widely read literary form.

One of the most distinguished voices in American letters, N. Scott Momaday has devoted much of his life to celebrating and preserving Native American culture, especially its oral tradition. A member of the Kiowa tribe who was born and grew up on Indian reservations throughout the Southwest, Momaday has an intimate connection to the land he knows well and loves deeply.

In the early 1800s, the Mvskoke people were forcibly removed from their original lands east of the Mississippi to Indian Territory, which is now part of Oklahoma. Two hundred years later, Joy Harjo returns to her family's lands and opens a dialogue with history.

This volume clearly distinguishes Indigenous environmental justice (IEJ) from the broader idea of environmental justice (EJ) while offering detailed examples from recent history of environmental injustices that have occurred in Indian Country.

A comprehensive collection of the most urgent Indigenous American poetry and prose spanning the mid 20th Century to today. Featuring forty-two poets, including Simon Ortiz, Leslie Marmon Silko, Luci Tapahonso, Joy Harjo, Sherwin Bitsui, Heid E. Erdrich, Layli Long Soldier, and Orlando White; original influence essays by Diane Glancy on Lorca, Chrystos on Audre Lorde, Louise Erdrich on Elizabeth Bishop, LeAnne Howe on W. D. Snodgrass, Allison Hedge Coke on Delmore Schwartz, Suzanne Rancourt on Ai, and M. L. Smoker on Richard Hugo, among others; and a selection of resonant work chosen from previous generations of Native artists.

Deer Trails is a strongly elegiac evocation of a San Francisco that lies buried under its contemporary urban landscape, but can still be found peeking through. Native American and native San Franciscan Kim Shuck is the city's seventh poet laureate, and in these poems she celebrates the enduring presence of indigenous San Francisco as a form of resistance to gentrification, urbanization, and the erasure of memory.

For over three decades, contemporary Native American artist Hock E Aye Vi Edgar Heap of Birds has pursued a disciplined practice in multiple media, having shown his paintings, drawings, prints, and text-based conceptual art throughout numerous national and international galleries and public spaces.

In Our History Is the Future, Nick Estes traces traditions of Indigenous resistance that led to the #NoDAPL movement. Our History Is the Future is at once a work of history, a manifesto, and an intergenerational story of resistance.

In this award-winning documentary, Cecilia Fire Thunder- the first female President of the Oglala Sioux tribe, defies a proposed South Dakota law criminalizing all abortions, with no exceptions for rape or incest, by threatening to build a women's clinic on the sovereign territory of the reservation. She ignites a political firestorm that sets off a chain reaction in the lives of three young Lakotas on the Pine Ridge Reservation, forcing each of them to make choices that define who they are and the kind of adults they will become.

"Lost birds" - a term for Native children adopted out of their tribal communities. Right after the Indian Child Welfare Act of 1978 became the law of the land, Kendra Mylnechuk Potter was adopted into a white family and raised with no knowledge of her Native parentage. This beautiful and intimate film follows Kendra on her journey to find her birth mother April, also a Native adoptee, and return to her Lummi homelands in Washington State. With a sensitive yet unflinching lens, director Brooke Swaney (Blackfeet/Salish) documents Kendra and April as they connect with relatives and navigate what it means to be Native, and to belong to a tribe from the outside looking in. Along the way, Kendra uncovers generations of emotional and spiritual beauty and pain and comes to the startling realization that she is a living legacy of U. S. assimilationist policy.

Record of the massive peaceful resistance led by the Standing Rock Sioux Tribe to the Dakota Access Pipeline through their land and underneath the Missouri River.

In this beautiful and informative short film, famed Haida artist Robert Davidson carves his latest monumental totem pole and gives a rare insight into the deeper meanings of the imagery found on North Coast Indigenous art works.

An exploration of Native American-based mascots, especially the Washington R_dskins, and their impact on real-life attitudes, issues, and policies. Through interviews with scholars, tribal leaders, lawyers, policy experts, activists, and Washington R_dskins fans, the film explores the history of the slanderous term "redskin," and delves into cultural stereotypes of Native Americans and their relationship to history. Ultimately, the film argues for representations that honor and celebrate the humanity of Indigenous people.

This May Be the Last Time traces the heartfelt journey of award-winning filmmaker Sterlin Harjo as he interweaves the tale of a mysterious death in 1962 with the rich history of the powerful hymns that have united Native American communities in times of worship, joy, tragedy, and hope. Investigating the stories of these songs, this illuminating film takes us on an epic tour as we travel with the power of the music through Southwest America, slavery in the deep South, and as far away as the Scottish Highlands.

This May Be the Last Time traces the heartfelt journey of award-winning filmmaker Sterlin Harjo as he interweaves the tale of a mysterious death in 1962 with the rich history of the powerful hymns that have united Native American communities in times of worship, joy, tragedy, and hope. Investigating the stories of these songs, this illuminating film takes us on an epic tour as we travel with the power of the music through Southwest America, slavery in the deep South, and as far away as the Scottish Highlands.

This film is the story of six Native American women fighting to restore personal and tribal sovereignty in the face of ongoing sexual violence against Indigenous women in the United States.

This film tells the story of how the life of Jordan River Anderson initiated a battle for the right of First Nations children to receive the same standard of social, health and educational services as the rest of the Canadian population.

Tribal Justice is a feature documentary about a little known, but effective, criminal justice reform movement in American today: the efforts of tribal courts to create alternative justice systems based on their traditions. In California, two formidable Native American women are among those leading the way. Abby Abinanti, Chief Judge of the Yurok Tribe on the northeast coast, and Claudette White, Chief Judge of the Quechan Tribe in the southeastern desert, are creating innovative systems that focus on restoring rather than punishing offenders in order to keep tribal members out of prison, prevent children from being taken from their communities, and stop the school-to-prison pipeline that plagues their young people.

After years of struggle and shame, five First Nations Canadians are bravely telling their stories. Crazywater is an emotional and revealing exploration of substance abuse among First Nations people in Canada.

The ancient Maya believed this present world would end and a new cycle arise after 5125 years. How does the story end? Does the water change color? Do the oceans collapse? Does the sky fall as the last tree is cut? Heart of Sky, Heart of Earth allows the Maya of today to answer, following six young Maya in Guatemala and Chiapas through their daily and ceremonial life, revealing their determination to resist the destruction of their culture and environment. As corporations go to the ends of the earth to extract all value, all resources, they put forth a wholly indigenous perspective in their own words, without narration. Each story touches upon a facet of the current global crisis.

Across the USA, Native Americans are struggling to protect their sacred places. Religious freedom, so valued in America, is not guaranteed to those who practice land-based religions. This film discusses the struggles of three indigenous communities to protect their sacred sites from rock climbers, tourists, strip-mining, development and New Age religious practitioners.

To Us The Ashes, a reference and ode to Chief Seattle’s Treaty of 1854, is a collection of 5 Indigenous Documentary Shorts from across the world. As each short highlights different Indigenous stories of fly fishing conservationists in the Pacific Northwest to a young Lakota woman creating a girls’ boxing team, they each embody the ingenuity and tenacity of Indigenous People across the world.

The Wampanoag nation of southeastern Massachusetts ensured the survival of the Pilgrims in New England, and lived to regret it. This film tells the story of the return of the Wampanoag language, the first time a language with no native speakers for many generations has been revived in this country. Spurred on by an indomitable linguist named Jessie Little Doe, the Wampanoag are bringing their language and their culture back home.