New Books at Daley: Black History Month Titles

In Cultivating Genius, Dr. Gholdy E. Muhammad presents a four-layered equity framework--one that is grounded in history and restores excellence in literacy education. This framework, which she names, Historically Responsive Literacy, was derived from the study of literacy development within 19th-century Black literacy societies. The framework is essential and universal for all students, especially youth of color, who traditionally have been marginalized in learning standards, school policies, and classroom practices.

Antiracism is a transformative concept that reorients and reenergizes the conversation about racism--and, even more fundamentally, points us toward liberating new ways of thinking about ourselves and each other. At its core, racism is a powerful system that creates false hierarchies of human value; its warped logic extends beyond race, from the way we regard people of different ethnicities or skin colors to the way we treat people of different sexes, gender identities, and body types. Racism intersects with class and culture and geography and even changes the way we see and value ourselves. In How to Be an Antiracist, Kendi takes readers through a widening circle of antiracist ideas--from the most basic concepts to visionary possibilities--that will help readers see all forms of racism clearly, understand their poisonous consequences, and work to oppose them in our systems and in ourselves.

2020 Museum of African American History Stone Book Award 2020 Lillian Smith Book Award Finalist, 2020 Pauli Murray Book Prize For generations, historically Black colleges and universities (HBCUs) have been essential institutions for the African American community. Their nurturing environments not only provided educational advancement but also catalyzed the Black freedom struggle, forever altering the political destiny of the United States.

Tells the story of this century's most powerful Black social movement through the eyes of 15 activists who documented it.

Jennifer C. Nash reframes black feminism's engagement with intersectionality, often celebrated as its primary intellectual and political contribution to feminist theory. Charting the institutional history and contemporary uses of intersectionality in the academy, Nash outlines how women's studies has both elevated intersectionality to the discipline's primary program-building initiative and cast intersectionality as a threat to feminism's coherence.

We forget that racist violence permeated the lower Midwest from the pre-Civil War period until the 1930s. From Kansas to Ohio, whites orchestrated extraordinary events like lynchings and riots while engaged in a spectrum of brutal acts made all the more horrific by being routine. Also forgotten is the fact African Americans forcefully responded to these assertions of white supremacy through armed resistance, the creation of press outlets and civil rights organizations, and courageous individual activism.

This volume offers a critical, cross-disciplinary, and international overview of emerging scholarship addressing the dynamic relationship between race and markets.

The fight for racial equality in the nineteenth century played out not only in marches and political conventions but also in the print and visual culture created and disseminated throughout the United States by African Americans. Advances in visual technologies--daguerreotypes, lithographs, cartes de visite, and steam printing presses--enabled people to see and participate in social reform movements in new ways. African American activists seized these opportunities and produced images that advanced campaigns for black rights.

Entrepreneurship is challenging, whatever your background, in the current science- and technology-driven Western world. However, unlike traditionally dominant, native-born, white male entrepreneurs in Silicon Valley and elsewhere, those who face greater hurdles blocking their path to success primarily come from marginalized and minority groups, both real and self-perceived--including immigrants, refugees, women, blacks, Hispanics, and Asians. Despite their potential to innovate and add value in the global marketplace, they persistently struggle, or fail, because they lack the requisite code-breaking skills. This book helps these underdog entrepreneurs acquire those skills with actionable advice to achieve and sustain success.

The post-civil rights era of the 1970s offered African Americans an all-too-familiar paradox. Material and symbolic gains contended with setbacks fueled by resentment and reaction. African American artists responded with black approaches to expression that made history in their own time and continue to exercise an enormous influence on contemporary culture and politics.

Examination of the movement to racially integrate white-collar work and consumption in American department stores, and broadens our understanding of historical transformations in African American class and labor formation. Built on the goals, organization, and momentum of earlier struggles for justice, the department store movement channeled the power of store workers and consumers to promote black freedom in the mid-twentieth century.

John Hervey Wheeler (1908--1978) was one of the civil rights movement's most influential leaders. In articulating a bold vision of regional prosperity grounded in full citizenship and economic power for African Americans, this banker, lawyer, and visionary would play a key role in the fight for racial and economic equality throughout North Carolina.

This Palgrave Pivot offers a history of and proof against claims of "buying power" and the impact this myth has had on understanding media, race, class and economics in the United States. For generations Black people have been told they have what is now said to be more than one trillion dollars of "buying power," and this book argues that commentators have misused this claim largely to blame Black communities for their own poverty based on squandered economic opportunity. This book exposes the claim as both a marketing strategy and myth, while also showing how that myth functions simultaneously as a case study for propaganda and commercial media coverage of economics.

Begun in 2014, Njideka Akunyili Crosby's ongoing series, The Beautyful Ones is comprised of portraits of Nigerian children, including members of the artist's family, derived from personal photographs and, more recently, from images taken during her frequent visits to Nigeria, where Akunyili Crosby lived until the age of sixteen.

Warren Eugene Milteer Jr. examines the lives of free persons categorized by their communities.

Publisher Description: The first-in depth publication to critically investigate the impact of Pope. L's early performances on his career. Pope. L (b. 1955) is a consummate thinker and provocateur whose practice across multiple mediums - including painting, drawing, installation, sculpture, theatre and video - utilizes abjection, humour, endurance, language and absurdity to confront and undermine rigid systems of belief. Spanning works made primarily from 1978 to 2001, member: Pope. L, 1978-2001 features a combination of videos, photographs, sculptural elements, ephemera and live actions. This volume, published in conjunction with an exhibition at The Museum of Modern Art, presents a detailed study of thirteen early works that helped define Pope. L's career. It features essays by curators, artists, filmmakers and art historians, plus an interview and artistic interventions by the artist. These components are supplemented by thirteen detailed plate entries that highlight key details of each work. The entries engage performances that are rooted in experimental theatre such as Egg Eating Contest (1990) and Aunt Jenny Chronicles (1991) as well as street interventions such as Thunderbird Immolation a.k.a. Meditation Square Piece (1978), ATM Piece (1996), and The Great White Way: 22 miles, 9 years, 1 street (2001-2009), among others. Together these works highlight the role of that performance has played within a seditious, emphatically interdisciplinary career that has established Pope. L as an influential force in the history of contemporary art.

Publisher Description: "People don't just happen," writes Saeed Jones. "We sacrifice former versions of ourselves. We sacrifice the people who dared to raise us. The 'I' it seems doesn't exist until we are able to say, 'I am no longer yours.'" Haunted and haunting, How We Fight for Our Lives is a stunning coming-of-age memoir. Jones tells the story of a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence--into tumultuous relationships with his family, into passing flings with lovers, friends, and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another--and to one another--as we fight to become ourselves. An award-winning poet, Jones has developed a style that's as beautiful as it is powerful--a voice that's by turns a river, a blues, and a nightscape set ablaze. How We Fight for Our Lives is a one-of-a-kind memoir and a book that cements Saeed Jones as an essential writer for our time.

Publisher Description: Benjamín Naka-Hasebe Kingsley's debut collection explores the experience of living as a Native American in today's America. From Nippon refugee who America caged. From Onondaga son who America imprisoned, who they couldn't board into whiteness. From Rust Belt trailers. From two wheelbarrow factory workers. From PA to LA to MIA to out here in West Baltimore. From counting every penny to carving the love of poems. From unheard prayers & these answered dreams. We are here. I am here. I am alive. Colonize me.

Publisher Description: One of the most popular shows to come out of Shondaland, Shonda Rhimes's production company, is ABC's political drama Scandal (2012-18)--a series whose tremendous success and marketing savvy led LA Times critic Mary McNamara to hail it as "the show that Twitter built" and Time magazine to name its protagonist as one of the most influential fictional characters of 2013. The series portrays a fictional Washington, DC, and features a diverse group of characters, racially and otherwise, who gather around the show's antiheroine, Olivia Pope, a powerful crisis manager who happens to have an extramarital affair with the president of the United States. For seven seasons, audiences learned a great deal about Olivia and those interwoven in her complex world of politics and drama, including her team of "gladiators in suits," with whom she manages the crises of Washington's political elite. This volume, named for both Olivia's team and the show's fans, analyzes the communication, politics, stereotypes, and genre techniques featured in the television series while raising key questions about the intersections of race, gender, sexuality, and viewing audiences. The essays range from critical looks at various members of Scandal's ensemble, to in-depth analyses of the show's central themes, to audience reception studies via interviews and social media analysis. Additionally, the volume contributes to research on femininity, masculinity, and representations of black womanhood on television. Ultimately, this collection offers original and timely perspectives on what was one of America's most "scandalous" prime-time network television series.

Publisher Description: Recasting the history of African American literature, Shadow Archives brings to life a slew of newly discovered texts--including Claude McKay's Amiable with Big Teeth--to tell the stories of black special collections and their struggle for institutional recognition. Jean-Christophe Cloutier offers revelatory readings of major African American writers, including McKay, Richard Wright, Ann Petry, and Ralph Ellison, and provides a nuanced view of how archival methodology, access, and the power dynamics of acquisitions shape literary history. Shadow Archives argues that the notion of the archive is crucial to our understanding of postwar African American literary history. Cloutier combines his own experiences as a researcher and archivist with a theoretically rich account of the archive to offer a pioneering study of the importance of African American authors' archival practices and how these shaped their writing. Given the lack of institutions dedicated to the black experience, the novel became an alternative site of historical preservation, a means to ensure both individual legacy and group survival. Such archivism manifests in the work of these authors through evolving lifecycles where documents undergo repurposing, revision, insertion, falsification, transformation, and fictionalization, sometimes across decades. An innovative interdisciplinary consideration of literary papers, Shadow Archives proposes new ways for literary scholars to engage with the archive.

Publisher Description: From the internationally acclaimed, best-selling author of Brother, I'm Dying, a collection of vividly imagined stories about community, family, and love. Rich with hard-won wisdom and humanity, set in locales from Miami and Port-au-Prince to a small unnamed country in the Caribbean and beyond, Everything Inside is at once wide in scope and intimate, as it explores the forces that pull us together, or drive us apart, sometimes in the same searing instant. In these eight powerful, emotionally absorbing stories, a romance unexpectedly sparks between two wounded friends; a marriage ends for what seem like noble reasons, but with irreparable consequences; a young woman holds on to an impossible dream even as she fights for her survival; two lovers reunite after unimaginable tragedy, both for their country and in their lives; a baby's christening brings three generations of a family to a precarious dance between old and new; a man falls to his death in slow motion, reliving the defining moments of the life he is about to lose. This is the indelible work of a keen observer of the human heart--a master at her best.

Publisher Description: Living in small-town Utah has always been an uneasy fit for Tunde Akinola's family, especially for his Nigeria-born parents. Though Tunde speaks English with a Midwestern accent, he can't escape the children who rub his skin and ask why the black won't come off. As he struggles to fit in and find his place in the world, he finds little solace from his parents who are grappling with their own issues. Tunde's father, ever the optimist, works tirelessly chasing his American dream while his wife, lonely in Utah without family and friends, sinks deeper into schizophrenia. Then one otherwise-ordinary morning, Tunde's mother wakes him with a hug, bundles him and his baby brother into the car, and takes them away from the only home they've ever known. But running away doesn't bring her, or her children, any relief from the demons that plague her; once Tunde's father tracks them down, she flees to Nigeria, and Tunde never feels at home again. He spends the rest of his childhood and young adulthood searching for connection--to the wary stepmother and stepbrothers he gains when his father remarries; to the Utah residents who mock his father's accent; to evangelical religion; to his Texas middle school's crowd of African-Americans; to the fraternity brothers of his historically black college. In so doing, he discovers something that sends him on a journey away from everything he has known. Sweeping, stirring, and perspective-shifting, A Particular Kind of Black Man is a beautiful and poignant exploration of the meaning of memory, manhood, home, and identity as seen through the eyes of a first-generation Nigerian-American.

Publisher Description: Arthur Fletcher (1924-2005) was the most important civil rights leader you've (probably) never heard of. The first black player for the Baltimore Colts, the father of affirmative action and adviser to four presidents, he coined the United Negro College Fund's motto: "A Mind Is a Terrible Thing to Waste." Modern readers might be surprised to learn that Fletcher was also a Republican. Fletcher's story, told in full for the first time in this book, embodies the conundrum of the post-World War II black Republican--the civil rights leader who remained loyal to the party even as it abandoned the principles he espoused. The upward arc of Fletcher's political narrative begins with his first youthful protest--a boycott of his high school yearbook--and culminates with his appointment as assistant secretary of Labor under Richard Nixon. The Republican Party he embraced after returning from the war was "the Party of Lincoln"--a big tent, truly welcoming African Americans. A Terrible Thing to Waste shows us those heady days, from Brown v. Board of Education to Fletcher's implementing of the Philadelphia Plan, the first major national affirmative action initiative. Though successes and accomplishments followed through successive Republican administrations--as chair of the US Commission on Civil Rights under George H. W. Bush, for example, Fletcher's ability to promote civil rights policy eroded along with the GOP's engagement, as New Movement Conservatism and Nixon's Southern Strategy steadily alienated black voters. The book follows Fletcher to the bitter end, his ideals and party in direct conflict and his signature achievement under threat. In telling Fletcher's story, A Terrible Thing to Waste brings to light a little known chapter in the history of the civil rights movement--and with it, insights especially timely for a nation so dramatically divided over issues of race and party.

Publisher Description: While visitors to art and history museums may be there to simply enjoy the curated objects, the question of what is included (and excluded) in these collections and who has the power over this process echoes the struggle for inclusion that is so central to the African American experience. Since its inception, the Kinsey African American Art and History Collection® has played an important role in this struggle, seeking out objects that give voice to previously excluded experiences, and providing an alternative to the limits of institutional collections.   Among the first scholarly books dedicated to a private African American collection, Rethinking America's Past: Voices from the Kinsey African American Art and History Collection both chronicles the reach of this important cultural collection and contributes to its project by sharing selected objects and stories with a broader audience. Essays range in subject from iconic African American artists, such as Loïs Mailou Jones and Beauford Delaney, to important historical figures such as Frederick Douglas and Martin Luther King, to individuals whose experiences might be lost to history but for the found objects that preserve their stories. Rethinking America's Past demonstrates how the African American story, from slavery through the present, is represented and can be actively remembered through the act of collecting.   Rethinking America's Past will appeal to audiences interested in African American history as well as art history, but its real power is in linking the two, showing how important collections are in constructing and repairing historical narratives, and how in the words of editor Tim Gruenewald, "Collecting overlooked aspects of our past and sharing such collections enables a deeper understanding of the present moment, and facilitates a more inclusive and just future."

Publisher Description: In the late 1950s and throughout the 1960s, Kwame Brathwaite used his photography to popularize the political slogan "Black Is Beautiful." This monograph--the first ever dedicated to Brathwaite's remarkable career--tells the story of a key, but under-recognized, figure of the second Harlem Renaissance. Inspired by the writings of activist and black nationalist Marcus Garvey, Brathwaite, along with his older brother, Elombe Brath, founded the African Jazz Arts Society and Studios (AJASS) and the Grandassa Models (1962). AJASS was a collective of artists, playwrights, designers, and dancers; Grandassa Models was a modeling agency for black women, founded to challenge white beauty standards. From stunning studio portraits of the Grandassa Models to behind-the-scenes images of Harlem's artistic community, including Max Roach, Abbey Lincoln, and Miles Davis, this book offers a long-overdue exploration of Brathwaite's life and work.

Publisher Description: Elia Alba began photographing artists like LaToya Ruby Frazier and Mickalene Thomas in 2012. To give voice to her community, Alba hosted dinners for US-based artists of color, with themes like Baltimore, Race, and Identity (in honor of Freddy Gray) and Racial Subjugation in Latin America. Her photographic series The Supper Club captures portraits and conversations from these socially engaged dinners, which addressed issues ranging from sanctuary, policing, and post-black identity to the intersectional entanglements of gender, race, and privilege. Inspired by Vanity Fair's "Hollywood Issue," Alba's portraits capture each artist's unique voice, transforming them into iconic images.

Publisher Description: Beginning in the 1950s until his untimely death at age 49, Stephen Jonas (1921-1970) was an influential if underground figure of the New American Poetry. A gay African-American poet of self-obscured origins, heavily influenced by Ezra Pound and Charles Olson, the Boston-based Jonas was a pioneer of the serial poem and an erudite mentor to such acknowledged masters as Jack Spicer and John Wieners, even as he lived a shadowy existence among drug addicts, thieves, and hustlers. Arcana: A Stephen Jonas Reader is the first selection of his work to appear in 25 years. With a biographical introduction and a postscript delving into recent discoveries concerning the poet's birthplace and background,Arcana is a crucial corrective to our understanding of post-war American poetry, restoring Jonas to his rightful place among the period's vanguard. Featuring previously uncollected and unpublished work, a section of never-before-seen facsimiles from notebooks, and a generous selection from his innovative serial poem Exercises for Ear (1968), Arcana is a much-needed retrieval of an overlooked American poet, as well as a valuable contribution to African American and Queer literature.

Publisher Description: The work of black writers, editors, publishers, and librarians is deeply embedded in the history of American print culture, from slave narratives to digital databases. While the printed word can seem democratizing, it remains that the infrastructures of print and digital culture can be as limiting as they are enabling. Contributors to this volume explore the relationship between expression and such frameworks, analyzing how different mediums, library catalogs, and search engines shape the production and reception of written and visual culture. Topics include antebellum literature, the Harlem Renaissance, the Black Arts Movement; "post-Black" art, the role of black librarians, and how present-day technologies aid or hinder the discoverability of work by African Americans. Against a Sharp White Background covers elements of production, circulation, and reception of African American writing across a range of genres and contexts. This collection challenges mainstream book history and print culture to understand that race and racialization are inseparable from the study of texts and their technologies.

Publisher Description: In Queering Black Atlantic Religions Roberto Strongman examines Haitian Vodou, Cuban Lucumí/Santería, and Brazilian Candomblé to demonstrate how religious rituals of trance possession allow humans to understand themselves as embodiments of the divine. In these rituals, the commingling of humans and the divine produces gender identities that are independent of biological sex. As opposed to the Cartesian view of the spirit as locked within the body, the body in Afro-diasporic religions is an open receptacle. Showing how trance possession is a primary aspect of almost all Afro-diasporic cultural production, Strongman articulates transcorporeality as a black, trans-Atlantic understanding of the human psyche, soul, and gender as multiple, removable, and external to the body.

Publisher Description: Inspired by the Book of Job, Head of Passes flips the conventional family play on its head--transforming the kitchen-sink drama into something heavier, murkier, and ultimately more surprising. With preparations for her birthday party underway, Shelah, the domineering and religiously devout matriarch, gathers her relatives around her. As the evening unfolds, the intended celebration collapses around them both figuratively and literally as the raging storm outside begins to tear down the house itself. For Shelah, the Job figure in Tarell Alvin McCraney's compelling allegory, what begins as an organized visit with her family escalates into a crisis of faith. Tarell Alvin McCraney is the author of The Brother/Sister Plays: The Brothers Size, In the Red and Brown Water, and Marcus; or the Secret of Sweet. Other works include Wig Out!, The Breach, and Choir Boy. Awards include the 2009 Steinberg Playwrights Award and the Paula Vogel Playwriting Award. McCraney's semi-autobiographical script In Moonlight Black Boys Look Blue was turned into the acclaimed film Moonlight, which won the 2017 Academy Award for Best Picture. He was recently named the new chairman of the playwriting department at the Yale School of Drama.

This film celebrates legendary 98-year-old park ranger Betty Reid Soskin's inspiring life, work and urgent mission to restore critical missing chapters of America's story. The film follows her journey as an African American woman presenting her personal story from a kitchen stool in a national park theater to media interviews and international audiences who hang on every word she utters.

Explores one the of most influential theorists of the anti-colonial movement, as it follows Fanon from his birth in 1925 on the French island of Martinique through his medical training in France, then to Algeria where he joined the liberation struggle.

Marlon Riggs' essay film Tongues untied gives voice to communities of black gay men, presenting their cultures and perspectives on the world as they confront racism, homophobia, and marginalization.

TAKING ROOT tells the dramatic story of Kenyan Nobel Peace Prize Laureate Wangari Maathai whose simple act of planting trees grew into a nationwide movement to safeguard the environment, protect human rights, and defend democracy--a movement for which this charismatic woman became an iconic inspiration.

Travel to Mexico and Peru with Professor Gates as he explores the almost unknown history of the numbers of black people brought to these countries as early as the 16th and 17th centuries.

Black and Cuba follows street-smart Ivy League students who are outcasts at their elite university, as they band together and adventure to Cuba to see if revolution is truly possible. Intent on sharing their experiences, the students film their journey through the streets of Havana and Santiago.

FREEDOM RIDERS is the powerful harrowing and ultimately inspirational story of six months in 1961 that changed America forever. From May until November 1961, more than 400 black and white Americans risked their lives--and many endured savage beatings and imprisonment--for simply traveling together on buses and trains as they journeyed through the Deep South. Deliberately violating Jim Crow laws, the Freedom Riders met with bitter racism and mob violence along the way, sorely testing their belief in nonviolent activism.

In the turbulent 1960s, change was coming to America and the fault lines could no longer be ignored -- cities were burning, Vietnam was exploding, and disputes raged over equality and civil rights. A new revolutionary culture was emerging and it sought to drastically transform the system. The Black Panther Party for Self-Defense would, for a short time, put itself at the vanguard of that change.

If This Ain't Heaven offers a portrait of an African American man that may very well challenge any number of sterotypes and assumptions about masculinity and African American men. The film shows us the very private side of Mr. G, a seemingly ordinary man, by allowing us inside his home where he interacts in a most loving, charming and humorous way with his cat, Africa. It is a kind of performance, and Mr. G - who speaks to and for his cat - becomes the "ventriloquist/artist par excellence." One can debate whether Mr. G is lonely or not, but his life is most assuredly enhanced by the story that he has invented about himself and the cat, and the manner in which he has filled in the details.

As the Palestinian National Theater and an African American choir mount a touring play about Martin Luther King Jr., written by Stanford Professor and King scholar Clayborne Carson, an impassioned cultural exchange ensues, new friendships are forged and attitudes are altered. A rousing portrait of the changes unfolding in the Middle East as a nonviolent movement grows in Palestine, this dynamic and complex work is born of a brilliantly simple and potent idea: what would happen if African American Christians-the same group who served as exemplars of the Civil Rights Movement-could witness firsthand the plight of Palestinians today?

Black Feminist is a feature length documentary film surrounding the double edged sword of racial and gender oppression that black women face in America. This documentary is told through interviews from scholars, lecturers, writers, business owners, veterans, comedians and authors

Follows the painful but inspiring journey of Derrick Evans, a Boston teacher who moves home to coastal Mississippi when the graves of his ancestors are bulldozed to make way for the sprawling city of Gulfport. Over the course of a decade, Derrick and his neighbors stand up to powerful corporate interests and politicians and face ordeals that include Hurricane Katrina and the BP oil disaster in their struggle for self-determination and environmental justice.