New Books at Daley: LGBTQ Pride Titles

A profound intellectual engagement with Afrofuturism and the philosophical questions of space and time Queer Times, Black Futures considers the promises and pitfalls of imagination, technology, futurity, and liberation as they have persisted in and through racial capitalism.

Argues that significant barriers to family-making exist for lesbian mothers of color in the United States One might be tempted, in the afterglow of Obergefell v. Hodges, to believe that the battle has been won, that gays and lesbians fought a tough fight and finally achieved equality in the United States through access to legal marriage. But that narrative tells only one version of a very complex story about family and citizenship. Queering Family Trees explores the lived experience of queer mothers in the United States, drawing on over one hundred interviews with African American, Latina, Native American, white, and Asian American lesbian mothers living in a range of socioeconomic circumstances to show how they have navigated family-making.

Some of North Carolina's finest fiction and nonfiction writers come together in Every True Pleasure, including David Sedaris, Kelly Link, Allan Gurganus, Randall Kenan, and more. Within the volume--featuring writers who identify as gay, trans, bisexual, and straight--are stories and essays that view the full spectrum of contemporary life though an LGBTQ lens. These writers, all native or connected to North Carolina, show the multifaceted challenges and joys of LGBTQ life, including young love and gay panic, the minefield of religion, military service, having children with a surrogate, family rejection, finding one's true gender, finding sex, and finding love.

Based on interviews and ethnographic fieldwork in central Texas this book examines youth's lives before they experience homelessness--within their families, schools, and other institutions--and later when they navigate the streets, deal with police, and access shelters and other services. Through this documentation, Brandon Andrew Robinson shows how poverty and racial inequality shape the ways that the LGBTQ youth negotiate their gender and sexuality before and while they are experiencing homelessness.

With a focus on historic sites, this volume explores the recent history of non- heteronormative Americans from the early twentieth century onward and the places associated with these communities. Authors explore how queer identities are connected with specific places: places where people gather, socialize, protest, mourn, and celebrate. The focus is deeper look at how sexually variant and gender non-conforming Americans constructed identity, created communities, and fought to have rights recognized by the government. Each chapter is accompanied by prompts and activities that invite readers to think critically and immerse themselves in the subject matter while working collaboratively with others.

Karen Kampwirth is a renowned scholar of the Nicaraguan Revolution, who has been writing at the intersection of gender and politics for decades. In this chronological telling of the last fifty years of political history in Nicaragua, Kampwirth deploys a critical new lens: understanding politics from the perspective of the country's LGBTQ community.

The Japanese LGBTQ+ Community in the World takes an innovative approach, viewing the community as an integral part of the world in flux, rather than an isolated monoracial and monolingual tight-knit entity. Like the US and many other countries in the world, when the pandemic struck Japan, its citizens were not all equally equipped to withstand it. Due particularly to lingering systemic injustices, including stigma, ostracism from family and society, as well as lack of legal protection of their basic human rights, the pandemic has disproportionately affected the lives of LGBTQ+ individuals and couples in Japan. They face unique challenges within various facets of their lives.

Lesbian, gay, bisexual, transgender, and queer (LGBTQ) people have established gathering spaces to find acceptance, form social networks, and unify to resist oppression. Framing the emergence of queer enclaves in reference to place, this volume explores the physical and symbolic spaces of LGBTQ Americans. Authors provide an overview of the concept of “place” and its role in informing identity formation and community building. The book also includes interactive project prompts, providing opportunities to practically apply topics and theories discussed in the chapters.

This book offers an in-depth exploration of LGBTQ negativity through its ground-breaking use of Norm-Centered Stigma Theory (NCST), the first ever theory about stigma that is both testable and well-positioned in existing stigma scholarship. Based on research with more than 3,000 respondents, hetero-cis-normativity and intersectionality are highlighted as fundamental in understanding separate but interconnected discussions about LGBTQ individuals' experiences with discrimination, harassment, and violence.

Drawing on theory and empirical research, this book provides an analysis of the intersections between LGBTQ+ identification and chronic illness. Chapters focus on the theoretical meaning of chronic illness as a queer notion, as well as the lived experiences of chronically ill LGBTQ+ people.

Based on his participant-observation fieldwork with a faith-based organization called the Reformation Project, Jon Burrow-Branine provides an ethnography of how some LGBTQ and LGBTQ-supportive Christians negotiate identity and difference and work to create change in evangelicalism. Come Now, Let Us Argue It Out tells the story of how this activism can be understood as a community of counter-conduct. Drawing on a concept proposed by the philosopher and historian Michel Foucault, Burrow-Branine documents everyday moments of agency and resistance that have the potential to form new politics, ethics, and ways of being as individuals in this community navigate the exclusionary politics of mainstream evangelical institutions, culture, and theology.

Queering the Museum develops a queer analysis of the ways in which museums construct themselves, their core business, and their publics through the, often unconscious, use of inherited ways of knowing and doing. Providing a critique of both the practices and conventions associated with the modern public museum, and the ontological assumptions that inform them, the authors consider recent discourse around inclusion in museums and explore the ways this has been taken up in practice.

This book explores how young Cuban filmmakers have greatly expanded the range of sexual subjectivities on screen. It analyzes cine joven (films made by young directors) from the late 1980s to the early 2020s, film reviews, articles, and materials from the Cinematheque of Cuba's archive to illustrate the confluence of sexuality, cinema, and discourses of youth. While sexual and cinematic cultures have their own unique relation to the public sphere, state institutions, and transnational flows, this book explores tensions, debates, and expressions that unite them. In an investigation of how young filmmakers employ queer strategies of self-making to bring sexual diversity to the screen, Margaret G. Frohlich shows us how cine joven takes part in the socialization of power in Cuba.

Black women writers and artists across the African Diaspora have developed nuanced and complex creative forms. Mecca Jamilah Sullivan ventures into the unexplored spaces of black women's queer creative theorizing to learn its languages and read the textures of its forms.

Twenty years in the making, Sarah Schulman's Let the Record Show is the most comprehensive political history ever assembled of ACT UP and American AIDS activism In just six years, ACT UP, New York, a broad and unlikely coalition of activists from all races, genders, sexualities, and backgrounds, changed the world.

Though the terms "queer" and "Mennonite" rarely come into theoretical or cultural contact, over the last several decades writers and scholars in the United States and Canada have built a body of queer Mennonite literature that shifts these identities into conversation.

The Politics of Love in Myanmar offers an intimate ethnographic account of a group of LGBT activists before, during, and after Myanmar's post-2011 political transition. Lynette J. Chua explores how these activists devoted themselves to, and fell in love with, the practice of human rights and how they were able to empower queer Burmese to accept themselves, gain social belonging, and reform discriminatory legislation and law enforcement. Informed by interviews with activists from all walks of life--city dwellers, villagers, political dissidents, children of military families, wage laborers, shopkeepers, beauticians, spirit mediums, lawyers, students.

Gay Chicano/Latinx literature often holds an intensely personal meaning for its readers, sometimes being the first artistic expression encountered that affirms their own identity as a double minority in a world that is frequently hostile to both. Nevertheless, much of the academic discourse surrounding this body of literature has overlooked how critical audience reaction can be in this inherently political genre, instead seeing the power of a work as resting within the piece itself.

In 1951, a new type of publication appeared on newsstands--the physique magazine produced by and for gay men. For many men growing up in the 1950s and 1960s, these magazines and their images and illustrations of nearly naked men, as well as articles, letters from readers, and advertisements, served as an initiation into gay culture.

Illuminating one of the great love stories of the twentieth century - Tennessee Williams and his longtime partner Frank Merlo - Leading Men is a glittering novel of desire and ambition, set against the glamorous literary circles of 1950s Italy.

Merging critical theory, autobiography, and sexological archival research, Queer Embodiment provides insight into what it means, and has meant, to have a legible body in the West.

On October 14, 1998, five thousand people gathered on the steps of the U.S. Capitol to mourn the death of Matthew Shepard, a gay college student who had been murdered in Wyoming eight days earlier. Politicians and celebrities addressed the crowd and the televised national audience to share their grief with the country. Never before had a gay citizen's murder elicited such widespread outrage or concern from straight Americans. In Dying to Be Normal, Brett Krutzsch argues that gay activists memorialized people like Shepard as part of a political strategy to present gays as similar to the country's dominant class of white, straight Christians.

Part political thriller, part meditation on social change, part love story, The Children of Harvey Milk tells the epic stories of courageous men and women around the world who came forward to make their voices heard during the struggle for equal rights.

The Anti-Homosexuality (dubbed "Kill the Gays") Bill of 2009 propelled Uganda to the forefront of global media. In its initial manifestation, the Bill threatened to penalize "aggravated homosexuality" with the death penalty. The media attention earned by the proposed legislation opened avenues for transnational cooperation and communication between US-based Human and LGBTI Rights organizations and kuchu (or LGBTI) Ugandans. The Economies of Queer Inclusion focuses on this transnational relationship and the complications that arise when international currency and professionalization transform grassroots organizing.

A collection of 4 Transgender and Gender Queer Documentary Shorts that explores the wide spectrum of experiences often left out of the traditional narrative.

Documents the Radical Monarchs--an alternative to the Scout movement for girls of color, aged 8-13. Its members earn badges for completing units on social justice including being an LGBTQ ally, the environment, and disability justice.

Lining the roads of Spain, masked by miles and miles of pine trees, are unmarked graves in which over a hundred twenty thousand victims of the Franco regime are buried. Among them is Spain's most famous poet, Federico García Lorca, who has become the symbol for both the historical memory and LGBT movements. The film explores the examined history of LGBT oppression during Spain's fascist regime, and places it within the larger human rights struggle to find some justice for Franco's victims.

A video diary of living with AIDS, documenting the love and dedication of longtime companions Tom Joslin and Mark Massi. Celebrates the strength of the human spirit, as the two men struggle with the challenges of living with a fatal illness and the frustration of maintaining daily routines once considered simple.

Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City's African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion "houses," from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty.

Far from the sophistication and relative tolerance of urban centers, gay people are beginning to lead integrated lives in small towns throughout rural America. Danny Cooper has been upfront about his homosexuality since his teens. Now he lives openly with his lover. As the local mailman in a small Louisiana town, he has come to be accepted in a friendly and courteous manner by his neighbors. Although Danny has been through fights in school, was once fired from his job, and even evicted from his home, he has never failed to stand up for his right to be himself.

Maria Irene Fornes was one of America's greatest playwrights and most influential teachers, but many know her only as the ex-lover of writer and social critic Susan Sontag. The visionary Cuban-American dramatist constructed astonishing worlds on-stage, writing over 40 plays and winning nine Obie Awards.

A compelling documentary about lesbians who discriminate against other lesbians based on gender roles. Director Nneka Onuorah takes an in-depth look at the internalized hetero-normative gender roles that have become all too familiar within the African American lesbian and bisexual community.

THE NEW BLACK boldy examines the controversial and challenging issues the African-American community is grappling with the gay rights issue in light of the recent gay marriage movement and the fight over civil rights. The film documents activists, families and clergy on both sides of the campaign to legalize gay marriage and examines homophobia in the black community's institutional pillar -- the black church and reveals the Christian right wing's strategy of exploiting this phenomenon in order to pursue an anti-gay political agenda.

Witness a performance project that incubates and celebrates artists with disabilities, centralizing artists of color and queer and gender-variant artists.

This film is an intimate portrait of the underground gay and lesbian community in Cameroon--where more people are sent to prison for homosexuality than any other country in the world. This documentary follows several LGBT youth both inside and outside the walls of The Access Center, a safe haven for LGBT Cameroonians, located in an unmarked building on Doualaʼs busiest street. As the locus of gay rights advocacy in Cameroon, the Center functions as a site of hope, culture, and celebration for those living with the constant fear of losing their job, home, and family.

Julie Wyman's compelling documentary chronicles Theo's transformation from a woman to a man over the course of six years. The film successfully captures Theo's physiological and psychological changes during the process, as well as their effects on his lesbian lover and community of close friends. Taking full advantage of the unlimited access she received into an extraordinarily personal process, Wyman carefully composes a moving story about gender identity, relationships, and how even things that seem permanent can change.

Award-winning filmmaker Melanie Chait documents the last four years of her life-partner, outspoken lesbian, artist and theatre director, Nancy Diuguid's life, as she fights breast cancer.